The Legacy of Afro-Puerto Rican Music in Chicago
For over 52 years, the Segundo Ruiz Belvis Cultural Center (SRBCC) has used art to foster cross-cultural understanding. Notably, it was the first organization to introduce Afro-Puerto Rican music and dance, specifically Bomba and Plena, to Chicago.
In the late 1980s, SRBCC established the city’s first-ever Bomba Workshop. By the mid-1990s, it expanded youth programs to teach new generations about their African heritage. As a result, Grupo Yubá, Chicago’s first professional Bomba group, was founded at SRBCC in 1989.
Today, Bomba remains a vital part of the Puerto Rican community in Chicago. In fact, many local Afro-Puerto Rican music projects trace their roots back to talent nurtured at SRBCC. While the center has expanded to embrace other artistic disciplines, it remains true to its Afro-Boricua origins.
Impact on Young Musicians and the Community
SRBCC offers a dynamic performance schedule where emerging musicians and professional artists of color collaborate. These artists gain industry exposure while performing alongside Latin music legends.
SRBCC has secured performances on prestigious stages such as:
✔ Chicago Jazz Festival
✔ Chicago World Music Festival
✔ Fiesta Boricua
✔ Summer Dance & Millennium Park
✔ Fiestas de la Calle San Sebastián in San Juan
Through these opportunities, young artists not only refine their craft but also establish valuable connections in the music industry.
Expanding the Vision of SRBCC
Looking ahead, SRBCC is committed to strengthening its impact on BIPOC communities. This is achieved by fostering strategic partnerships that directly support professional artists of color, creative youth, and their families.
Artistic Residencies and Performance Opportunities
SRBCC provides:
🎶 Regular artist residencies that offer mentorship and professional guidance.
🎭 Subsidized performances that highlight original work from local artists.
🎤 Free rehearsal space to support artistic development.
🎧 Recording opportunities to help artists expand their audience.
Collaborations with Music Legends
One of SRBCC’s core philosophies is connecting young musicians with experienced professionals. Through its programs, creative youth have the chance to work closely with Latin music icons, refining their skills while gaining real-world experience.
For over five decades, SRBCC has witnessed internationally recognized artists leave Chicago for other cities due to a lack of resources. Therefore, one of its main objectives is to keep talented artists thriving within their communities by providing sustainable opportunities.
Join Us & Support the Arts
SRBCC remains a cornerstone for Afro-Puerto Rican music and arts in Chicago. Whether you are an artist, a community member, or a supporter of cultural initiatives, your involvement can make a difference.
💌 For bookings and inquiries, contact us at: [email protected]
📅 Ask about our school performances & workshops! Special rates available for youth programs.
We're back with the first 2025 installment of our monthly residency at The California Clipper: La Cantera featuring Flaco Navaja
Join us as we prepare to represent Puerto Rico at Navy Pier’s annual International Carnival. This year we enlisted the help of Noel Rosado (Viento de Agua, La Máquina Insular, Roberto Roena y su Apollo Sound) to take our plena to the next level. Joining Rosado we have Los Pleneros de Don Segundo “agrandado” with a heavy horn section. We will have food while supplies last, BYOB policy y mucha plena!
Held every last Friday of the month, Barrio Bugalú is not just a dance party; it’s a celebration of history, a tribute to the pioneers of Latin music, and a testament to the timeless power of Afro-Caribbean rhythms to bring people together.
A global tradition, celebrated in many unique ways, will come to life in the Aon Grand Ballroom.
Our monthly residency at The California Clipper continues every third Friday of the month with special guest Tino Melecio from Tino Melecio and the Latin Swing Factor.
SRBCC presents Daniela Santos and her trio in the US Premiere of “La Ruta Ana Otero” a tribute to the first Puerto Rican woman to be an internationally recognized conductor, composer and pianist. The varied program includes works from 1870 to the present day: Waltzes, mazurcas, boleros, Puerto Rican danzas and original compositions, including the only surviving work composed by Ana Otero herself in Paris, “Premiere Penseé”.
